How to count it
A tientos compás is 4 even beats, with the accents on 1 and 3, as in tangos. What changes is the feel: they go so slowly that you can feel every half-beat, and the hit that falls on the second half of the second beat arrives ahead of the third and gives the compás its weight.
In the app’s backing, knuckles on wood mark the first beat, the second half of the second and the third, and a drier hit falls on 2 and 4. The melody rests on the accents and the percussion pushes on the others, just as in tangos.
| Beat | Accent |
|---|---|
| 1 | Strong |
| 2 | Weak |
| 3 | Strong |
| 4 | Weak |
Two palos, one compás
Tientos grew out of tangos: a slow, deep cante that often ends por tangos, raising the tempo without changing compás. Tarantos are the taranta, the cante of the mines of the Levante, in eastern Spain, set to compás so that it can be danced.
Both are counted the same way, in 4 beats with the accents on 1 and 3, which is why they are a single palo in the app. Where tangos are played at 144 beats per minute, tientos and tarantos are played at 66. They can be played slower or faster, but this gives us an idea of their average tempo.
What tempo they are played at
In the app you can set them to any tempo from 40 to 100 beats per minute. The first time you open them, they start at 60.
| Beats per minute | One compás lasts |
|---|---|
| 40 | 6 s |
| 50 | 4.8 s |
| 60 | 4 s |
| 70 | 3.43 s |
| 80 | 3 s |
| 90 | 2.67 s |
| 100 | 2.4 s |
How to practise them with the metronome
A sequence that builds up step by step:
Count in groups of 4
Choose Full and count out loud with the wheel. At this tempo there is time to feel each number and what happens between one and the next.
Split each beat in two
Count ‘one and, two and’ and listen for the ‘and’ of the second beat: that hit, arriving ahead of the third, is what gives them their weight.
Separate melody and percussion
Clap on 1 and 3, then move to 2 and 4, where the backing gives its dry hit. Feeling both at once is what gives you the groove.
Finish por tangos
When the cante ends por tangos, the compás does not change: the tempo doubles. Play a few turns at 60 here, then switch to tangos at twice the beats per minute.
Build up gradually
Start at 40 and turn on the Speed trainer: the tempo goes up on its own every few compases. To focus on the percussion, switch to Instruments and keep only the knuckles.
What you can practise them with in the app
In Full you hear the whole backing, including an off-beat version; in Instruments, each instrument separately, with its own volume: the knuckles on wood, the cajón, the palmas, the palmas sordas, the pitos (finger snaps), the tinaja and the frame drum. The palmas include an off-beat pattern. They are all real recorded hits, placed one by one. With Fills turned on, every few compases one of the instruments plays a fill: here there are fills on cajón and tinaja.
- Full
- 4 accompaniments
- Palmas
- 3 patterns
- Palmas sordas
- 3 patterns
- Frame drum
- 3 patterns
- Tinaja
- 3 patterns
- Knuckles on table
- 1 pattern
- Cajón
- 1 pattern
- Pitos
- 1 pattern
Frequently asked questions
Do tientos and tarantos have the same compás?
Yes: both are counted in 4 beats, with the accents on 1 and 3, the tangos compás at half the speed. That is why they are a single palo in the app.
How are they different from tangos?
The compás is the same; tientos and tarantos are much slower and heavier. In the app they run from 40 to 100 beats per minute, and tangos from 80 to 190.
What tempo are they played at?
Slowly: their usual tempo is around 66 BPM; in the app, from 40 to 100 beats per minute, and the first time they start at 60.