Intermediate

Resources for people with intermediate level.


Today we will explain the accompaniment of tangos del pepico that we played in the previous video. It is an accompaniment in a “granaina” tone and is used a lot in the most modern flamenco playing. We will review the most used chords of this tonality and also of step […]

Explanation accompanying Tangos del Pepico 2 – Class Nº 20


Today we do the second accompaniment to the singing for the theme “tangos del pepico”, it is a flamenco guitar accompaniment in the key of granaina “si frigio”. It is a very simple accompaniment for students who are learning to follow the singing. The video has inscribed the chords used […]

Tangos del Pepico 2 Accompaniment – Class Nº 20


Today we will explain the harmony of tangos del pepico but they can be used for any kind of stick. I will explain what chords I use in the song and what function each one has. We will also see which chords are substitutes or how to put the chords […]

Explanation of the harmony of Tangos del Pepico – Class ...



Today I will explain what I did in the previous video, in which I did an accompaniment to the singing by tangos of the song “Tangos del Pepico”. I will explain the basic formulas of the accompaniment by tangos in this tango, which will also be useful for many other […]

Explanation accompanying Tangos del Pepico – Class Nº 18


Today we bring to the channel a video tutorial of alzapua by tangos. It is an alzapua that is used a lot in tangos, as a falseta and as a cierre de compás after a cut. I will play it with a visual clapping rhythm and I will also explain […]

Alzapua for tangos – Class Nº 15


Today I bring you a nice and flamenco introduction for any palo jondo we play, no matter what tangos, solea, bulerias, solea por bulerias. It’s a free intro with a very flamenco touch, that sounds flamenco jondo and modern at the same time. I will play it and explain it […]

Free flamenco introduction (for any palo) – It’s very flamenco!



Today we’re going to play and explain a falseta on top of the tientos stick, which is inspired by the playing of Gran Sabicas. It’s a falseta composed by some friends and myself. The “toque por tientos por arriba” is not used very often but there are always exceptions and […]

Falseta by tientos inspired by Sabicas


Today we are going to explain the importance of time number four in flamenco tangos. In the soniquete flamenco por tangos, we must bear in mind that beat number four has more weight than the other three, and that is why it must be given more importance. So in this […]

The 4 in the flamenco tangos


Today we will play an introduction by tangos. It is an introduction using the arpeggio technique, which is widely used in modern flamenco. We will play it in slow, with detailed explanation and we will also play it with flamenco metronome by tangos. ============================== JOIN THE CHANNEL ➥ https://www.youtube.com/channel/UC1_wjOmvm5UX-oUEI1u9oPA/join ============================== […]

Introduction for Tangos – Class Nº 14



Today we will play an introduction by tangos. It is an introduction that mixes several flamenco techniques and can be used as a falseta as well. I will explain in detail the whole introduction and we will also play it with metronome in slow.      

Falseta or Introduction for Tangos – Class Nº 13


Today we will learn to play a very traditional falseta for tangos. It’s a falseta that uses thumb and arpeggio techniques. We will play it in normal time and also in slow time, and I will explain it in detail.      

Traditional Falseta for Tangos – Class Nº 12


Today we’re going to play Rosalia’s song “Juro Que”. A flamenco song, within the flamenco genre are some tangos. Tangos that remind us of those that “La Repompa” used to make.    

Guitar Chords – Juro Que – Rosalia



Today we are going to see the touch for tangos del piyayo, also known as tangos de Málaga; another variety that is played with practically the same harmony are the tangos de Triana. We will see the basic chords that are in harmony and also how they are combined. We […]

Tangos del piyayo – Class Nº 11


Today we are going to see the different ways that there are to play tangos from above for people who are initiated in the touch and want to see the differences. I will give my vision and opinion about it.    

How to play tangos from above – Class Nº 10


Today we’ll do three closings for tangos. I will explain them in steps, slowly and then I will play it in slow time, passing then to a normal time. All this with the help of our friend the flamenco metronome.      

Three locks for tangos – Class Nº 9