Intermediate

Resources for people with intermediate level.


Today I bring you a nice and flamenco introduction for any palo jondo we play, no matter what tangos, solea, bulerias, solea por bulerias. It’s a free intro with a very flamenco touch, that sounds flamenco jondo and modern at the same time. I will play it and explain it […]

Free flamenco introduction (for any palo) – It’s very flamenco!


Today we’re going to play and explain a falseta on top of the tientos stick, which is inspired by the playing of Gran Sabicas. It’s a falseta composed by some friends and myself. The “toque por tientos por arriba” is not used very often but there are always exceptions and […]

Falseta by tientos inspired by Sabicas


Today we are going to explain the importance of time number four in flamenco tangos. In the soniquete flamenco por tangos, we must bear in mind that beat number four has more weight than the other three, and that is why it must be given more importance. So in this […]

The 4 in the flamenco tangos



Today we will play an introduction by tangos. It is an introduction using the arpeggio technique, which is widely used in modern flamenco. We will play it in slow, with detailed explanation and we will also play it with flamenco metronome by tangos. ============================== JOIN THE CHANNEL ➥ https://www.youtube.com/channel/UC1_wjOmvm5UX-oUEI1u9oPA/join ============================== […]

Introduction for Tangos – Class Nº 14


Today we will play an introduction by tangos. It is an introduction that mixes several flamenco techniques and can be used as a falseta as well. I will explain in detail the whole introduction and we will also play it with metronome in slow.      

Falseta or Introduction for Tangos – Class Nº 13


Today we will learn to play a very traditional falseta for tangos. It’s a falseta that uses thumb and arpeggio techniques. We will play it in normal time and also in slow time, and I will explain it in detail.      

Traditional Falseta for Tangos – Class Nº 12



Today we’re going to play Rosalia’s song “Juro Que”. A flamenco song, within the flamenco genre are some tangos. Tangos that remind us of those that “La Repompa” used to make.     

Guitar Chords – Juro Que – Rosalia


Today we are going to see the touch for tangos del piyayo, also known as tangos de Málaga; another variety that is played with practically the same harmony are the tangos de Triana. We will see the basic chords that are in harmony and also how they are combined. We […]

Tangos del piyayo – Class Nº 11


Today we are going to see the different ways that there are to play tangos from above for people who are initiated in the touch and want to see the differences. I will give my vision and opinion about it.     

How to play tangos from above – Class Nº 10



Today we’ll do three closings for tangos. I will explain them in steps, slowly and then I will play it in slow time, passing then to a normal time. All this with the help of our friend the flamenco metronome.       

Three locks for tangos – Class Nº 9


Today I will explain how to play a traditional falseta for tangos that every self-respecting flamenco guitarist has to learn. It’s a falseta with thumb and arpeggio technique. I’ll explain it in steps, slowly and then I’ll play it in slow time, going on to a normal time. All this […]

Easy Tangos Falseta – Class Nº 8


Today we will talk about the types of paths a cante por bulerias can follow, since the same lyrics for bulerias can be sung in different ways. I will give practical examples of different songs and give some advice to improve the accompaniment to the bulerias song.      […]

Learn to play by Bulerias – Nº 20 – Accompaniment ...



Today we will continue talking about the guitar playing in the dance, I will give the keys to be able to accompany it and I will give several examples of the most important parts. It is very important for flamenco guitarists to learn how to play the dance because you […]

Learn to play by Bulerias – Nº 19 – Let’s ...


Today we will talk about the bulerias dance, about the importance of accompanying the bulerias dance in order to improve the accompaniment to the singing and to improve the compás, since in the accompaniment to the dance the two disciplines are practiced in their entirety. In addition you acquire many […]

Learn to play by Bulerias – Nº 18 – Let’s ...