Today we are going to try to answer the questions of the community about the bulerias rhythm. What are the differences between the 6 and the 12? Why do you play 12 or 6? Why does it close on the beat 6, 10 or 12?      

Final explanation from 6 to 12 – Bulerias



Today we will play an introduction by tangos. It is an introduction using the arpeggio technique, which is widely used in modern flamenco. We will play it in slow, with detailed explanation and we will also play it with flamenco metronome by tangos. ============================== JOIN THE CHANNEL ➥ https://www.youtube.com/channel/UC1_wjOmvm5UX-oUEI1u9oPA/join ============================== […]

Introduction for Tangos – Class Nº 14



Today we will play an introduction by tangos. It is an introduction that mixes several flamenco techniques and can be used as a falseta as well. I will explain in detail the whole introduction and we will also play it with metronome in slow.      

Falseta or Introduction for Tangos – Class Nº 13


Today we will learn to play a very traditional falseta for tangos. It’s a falseta that uses thumb and arpeggio techniques. We will play it in normal time and also in slow time, and I will explain it in detail.      

Traditional Falseta for Tangos – Class Nº 12


Today I will explain the third part of the song “tangos de triana” by the great Moraito Chico. This is a very nice theme by the master Morao that is recorded in Youtube. It is a theme that is played in Drop-D tuning (drone in D). This is part three […]

Moraito Chico – Tangos de triana – Explanation – Part ...



Today we’re going to play Rosalia’s song “Juro Que”. A flamenco song, within the flamenco genre are some tangos. Tangos that remind us of those that “La Repompa” used to make.     

Guitar Chords – Juro Que – Rosalia


Today we are going to analyse Rosalia’s new song “Juro que” from a flamenco point of view. Who has inspired her to create this Flamenco Tango.       

Rosalia – Juro Que – Flamenco Analysis


Today I will explain the first part of the song “tangos de triana” by the great Moraito Chico. This is a very nice theme by the master Morao that is recorded in Youtube. It is a theme that is played in Drop-D tuning (drone in D). This is part number […]

Moraito Chico – Tangos de triana – Explanation – Part ...



Today I will explain the first part of the song “tangos de triana” by the great Moraito Chico. This is a very nice track by maestro Morao that is recorded on Youtube. It is a theme that is played in Drop-D tuning. In the next few weeks I’ll be uploading […]

Moraito Chico – Tangos de triana – Explanation – Part ...


Today, when talking about flamenco, we will see (above) the list of flamenco songs, their origin and genealogy. I will also explain, in my opinion, the difference between bulerias, solea and solea por bulerias.       

Flamenco songs – Talking about flamenco nº 3


Today we are going to see the touch for tangos del piyayo, also known as tangos de Málaga; another variety that is played with practically the same harmony are the tangos de Triana. We will see the basic chords that are in harmony and also how they are combined. We […]

Tangos del piyayo – Class Nº 11



Complete list of terms: http://www.flamencopolis.com/archives/2160 Today we talk about the most common flamenco terms, for example: “Que es una escobilla”, but there are many more; cante pa`lante, cante pa`tras, cierre, silencio, falseta?       

The flamenco dictionary – Talking about flamenco no. 2


Today we are going to see the different ways that there are to play tangos from above for people who are initiated in the touch and want to see the differences. I will give my vision and opinion about it.     

How to play tangos from above – Class Nº 10


Today we’ll do three closings for tangos. I will explain them in steps, slowly and then I will play it in slow time, passing then to a normal time. All this with the help of our friend the flamenco metronome.       

Three locks for tangos – Class Nº 9