Today we will explain the accompaniment of tangos del pepico that we played in the previous video. It is an accompaniment in a “granaina” tone and is used a lot in the most modern flamenco playing. We will review the most used chords of this tonality and also of step […]

Explanation accompanying Tangos del Pepico 2 – Class Nº 20

Today we do the second accompaniment to the singing for the theme “tangos del pepico”, it is a flamenco guitar accompaniment in the key of granaina “si frigio”. It is a very simple accompaniment for students who are learning to follow the singing. The video has inscribed the chords used […]

Tangos del Pepico 2 Accompaniment – Class Nº 20

Today we are going to talk about tangos, where they come from, songs, singers, types of tangos, compás… I will also comment what kind of tango I like more and which is my favorite player in this palo.    

Talking about Flamenco – Tangos

Today we will explain the harmony of tangos del pepico but they can be used for any kind of stick. I will explain what chords I use in the song and what function each one has. We will also see which chords are substitutes or how to put the chords […]

Explanation of the harmony of Tangos del Pepico – Class ...

Today I will explain what I did in the previous video, in which I did an accompaniment to the singing by tangos of the song “Tangos del Pepico”. I will explain the basic formulas of the accompaniment by tangos in this tango, which will also be useful for many other […]

Explanation accompanying Tangos del Pepico – Class Nº 18

Today we bring in the channel a video tutorial of accompaniment to the singing by tangos. It is a very popular theme within flamenco; it is known colloquially as “los tangos del pepico”. It is a tutorial-demonstration which serves as a guide for the complete accompaniment of the song. The […]

Tangos del Pepico Accompaniment – Class Nº 17

Today we bring in the channel a video tutorial of accompaniment to the singing by tangos. I will play and explain 3 lyrics for classic or popular tangos. I will also explain the basic formulas of tango accompaniment and how they are applied.    

Accompaniment to the Singing of Tangos – Class Nº 16

Today we bring to the channel a video tutorial of alzapua by tangos. It is an alzapua that is used a lot in tangos, as a falseta and as a cierre de compás after a cut. I will play it with a visual clapping rhythm and I will also explain […]

Alzapua for tangos – Class Nº 15

Today I bring you a nice and flamenco introduction for any palo jondo we play, no matter what tangos, solea, bulerias, solea por bulerias. It’s a free intro with a very flamenco touch, that sounds flamenco jondo and modern at the same time. I will play it and explain it […]

Free flamenco introduction (for any palo) – It’s very flamenco!

Today in “talking about flamenco” I will talk about the main tonalities with which flamenco is played. I will also talk about the different types of rhythms (soniquetes) that flamenco has, highlighting the main ones, such as tangos, bulerias, solea, seguirilla, alegrias…    

Tonalidades y soniquete – Talking about Flamenco Nº 5

Today we’re going to play and explain a falseta on top of the tientos stick, which is inspired by the playing of Gran Sabicas. It’s a falseta composed by some friends and myself. The “toque por tientos por arriba” is not used very often but there are always exceptions and […]

Falseta by tientos inspired by Sabicas

Today we are going to explain the importance of time number four in flamenco tangos. In the soniquete flamenco por tangos, we must bear in mind that beat number four has more weight than the other three, and that is why it must be given more importance. So in this […]

The 4 in the flamenco tangos

Today we are going to continue talking about flamenco and more specifically about what is a call, a brush and a silence. I will explain how I understand it and give an example of each. I will regularly make a video about the flamenco dictionary as it is one of […]

Flamenco Dictionary – Talking about Flamenco

Today we are going to try to answer the questions of the community about the bulerias rhythm. What are the differences between the 6 and the 12? Why do you play 12 or 6? Why does it close on the beat 6, 10 or 12?      

Final explanation from 6 to 12 – Bulerias