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In this video tutorial of flamenco guitar I will try to explain how to begin to study the buleria in a compass or metronome flamenco to 6. I will comment several tips to be able to pass a basic compass, that marks all the accents to a flamenco compass of […]

Easy bulerías practice with 6-stroke metronome


In this video tutorial of flamenco guitar we will see a demonstration of how to accompany the cante of “bulerías de sherry” with an accompaniment “above”. Includes 12-stroke flamenco metronome and chord tablature. GET THE SONG WITHOUT A GUITAR IN OUR STORE  

Accompaniment to Cante por Bulerías – FROM ABOVE




On this occasion we are going to explain the accompaniment to cante por solea. We will see the basic things for accompaniment to singing; The changes of chords in the times and the basic structure of the cante by soleares, as well as a closing when they sing a solea […]

Explanation Accompaniment to Sing by Solea


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In this tutorial of flamenco guitar, we will explain the basic tips to be able to play or accompany a bulerías of sherry with our flamenco guitar. We will emphasize times 3 and 10 also in even times; We will also see that it is very important to know how […]

Explanation Accompaniment by Bulerias of Jerez


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In this tutorial of flamenco guitar, we will see how they accompany to cante a bulerías of sherry. This video includes the chords and a flamenco metronome to better understand where the chord and rhythm chords come in.   GET THE SONG WITHOUT A GUITAR IN OUR STORE

Accompaniment to the singing by Bulerias de Jerez




In this video tutorial of flamenco guitar, we will see how they accompany, when singing, bulerías de cádiz. Two letters in normal time and slow. These types of bulerías are, as its name indicates, typical of Cadiz and are very cheerful; Almost always they are preceded by some cantes by […]

Accompaniment by Bulerias of Cadiz


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This time we will explain the flamenco tonality of fa # frigio, which is used to play tarantos or tarantas. We will see the cadence Andalusian in this tonality, chords of passage, basic wheels and to play with compass of tangos in said tonality. So do not hesitate to learn […]

Explanation Tonality F# PHRYGIAN – TARANTO/TARANTA



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Our friend Angelillo asked us: “how to put a falseta by bulerias in the metronome”. Since not all falsetas are the same, there is no general rule to answer this question and so on this occasion we will see several examples of falsetas por bulerias to try to answer the […]

How to get a Falseta by Bulerias IN COMPAS


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On this occasion we will see how the second accompaniment to the cante by solea, with metronome and chords of solea included. It is an accompaniment to the cante “above”, with chords a little more advanced than in the first accompaniment, are more jazzy chords and with more tensions. It […]

Accompaniment to Sing by Solea with Metronomo and Chords – ...


This time we will continue with part 2 of the tonality of my Phrygian. This tone is necessary to learn to play flamenco. We will see some more complex chords than in part 1 and then I will put an example with compass. So do not hesitate to learn it […]

Explanation Tonality “E PHRYGIAN” – PART 2



This time we are going to make an accompaniment to the song by soleares “by means” with metronome and chords included. It is a very used accompaniment within flamenco and if you want to learn to play flamenco it is necessary that you understand this structure. So do not hesitate […]

Accompaniment to Sing by Solea “POR MEDIO”


This time we will see the flamenco tonality of MY FRIEND. We will explain the cadence Andalusian in this key, the chords of step in it and we will see several ways to put the basic chords. So do not hesitate to learn it because you are a guitar player!

Explanation Tonality E PHRYGIAN – PART 1


This time we are going to see how it does an accompaniment to the cante by solea, with metronome and chords of solea included. It is an accompaniment to cante “above”, with traditional chords and a slow beat to be able to follow the singing and video. So do not […]

Accompaniment to Sing by Solea with Metronomo and Chords



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This time we will see one of the most used techniques of flamenco guitar. It is used in almost all flamenco clubs and with it you will make your guitar sound more flamenco than before, so do not hesitate to learn this technique because: You are Guitarist!

Flamenco Technical Explanation: THUMB – INDEX


Thirteenth edition of falsetas by solea with tablatura and metronome included. This time we will see another of the thumb exercises. It is one of the most played falsetas of flamenco, great guitarists like Paco de Lucia, Montoya, Sabicas already played this falseta, so do not hesitate to learn it. […]

Soleares falseta with Tab – Nº 13


Explanation of the flamenco tonality of “C# Phrygian” (Flamenco Phrygian Mode). On this occasion we will see the Andalusian cadence in “C# Phrygian”, we will see the basic chords in this cadence and some examples in the same tonality. The examples I use are typical wheels in the accompaniment to […]

Explanation Flamenco Tonality C# Phrygian – Flamenco Phrygian Mode



I leave you three other forms of accompaniment to cante by bulerías in the tone of C# Phrygian (without cap). They are some basic accompaniments to cante to understand the tonality, without making many adornments. So do not hesitate to learn it, you are a guitarist. GET THE SONG WITHOUT […]

Three ways to accompany buleria – Nº 3


This time we are going to accompany a flamenco bolero that already recorded Diego “El Cigala” next to Bebo Valdes in his disc “corren tiempos de alegría”. GET THE SONG WITHOUT A GUITAR IN OUR STORE

Accompaniment Bolero Flamenco: Amar y Vivir


On this occasion I will explain a falseta by tangos taught by my first teacher. It is a traditional but modern falseta at a time. It is a simple but nice falsetto and that any guitarist should have in his repertoire; So do not hesitate to learn it, you can, […]

Falseta by Tangos Flamencos Explanation – Nº 2