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Our friend Angelillo asked us: “how to put a falseta by bulerias in the metronome”. Since not all falsetas are the same, there is no general rule to answer this question and so on this occasion we will see several examples of falsetas por bulerias to try to answer the […]

How to get a Falseta by Bulerias IN COMPAS


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On this occasion we will see how the second accompaniment to the cante by solea, with metronome and chords of solea included. It is an accompaniment to the cante “above”, with chords a little more advanced than in the first accompaniment, are more jazzy chords and with more tensions. It […]

Accompaniment to Sing by Solea with Metronomo and Chords – ...


This time we will continue with part 2 of the tonality of my Phrygian. This tone is necessary to learn to play flamenco. We will see some more complex chords than in part 1 and then I will put an example with compass. So do not hesitate to learn it […]

Explanation Tonality “E PHRYGIAN” – PART 2



This time we are going to make an accompaniment to the song by soleares “by means” with metronome and chords included. It is a very used accompaniment within flamenco and if you want to learn to play flamenco it is necessary that you understand this structure. So do not hesitate […]

Accompaniment to Sing by Solea “POR MEDIO”


This time we will see the flamenco tonality of MY FRIEND. We will explain the cadence Andalusian in this key, the chords of step in it and we will see several ways to put the basic chords. So do not hesitate to learn it because you are a guitar player!

Explanation Tonality E PHRYGIAN – PART 1


This time we are going to see how it does an accompaniment to the cante by solea, with metronome and chords of solea included. It is an accompaniment to cante “above”, with traditional chords and a slow beat to be able to follow the singing and video. So do not […]

Accompaniment to Sing by Solea with Metronomo and Chords



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This time we will see one of the most used techniques of flamenco guitar. It is used in almost all flamenco clubs and with it you will make your guitar sound more flamenco than before, so do not hesitate to learn this technique because: You are Guitarist!

Flamenco Technical Explanation: THUMB – INDEX


Thirteenth edition of falsetas by solea with tablatura and metronome included. This time we will see another of the thumb exercises. It is one of the most played falsetas of flamenco, great guitarists like Paco de Lucia, Montoya, Sabicas already played this falseta, so do not hesitate to learn it. […]

Soleares falseta with Tab – Nº 13


Explanation of the flamenco tonality of “C# Phrygian” (Flamenco Phrygian Mode). On this occasion we will see the Andalusian cadence in “C# Phrygian”, we will see the basic chords in this cadence and some examples in the same tonality. The examples I use are typical wheels in the accompaniment to […]

Explanation Flamenco Tonality C# Phrygian – Flamenco Phrygian Mode



I leave you three other forms of accompaniment to cante by bulerías in the tone of C# Phrygian (without cap). They are some basic accompaniments to cante to understand the tonality, without making many adornments. So do not hesitate to learn it, you are a guitarist. GET THE SONG WITHOUT […]

Three ways to accompany buleria – Nº 3


This time we are going to accompany a flamenco bolero that already recorded Diego “El Cigala” next to Bebo Valdes in his disc “corren tiempos de alegría”. GET THE SONG WITHOUT A GUITAR IN OUR STORE

Accompaniment Bolero Flamenco: Amar y Vivir


On this occasion I will explain a falseta by tangos taught by my first teacher. It is a traditional but modern falseta at a time. It is a simple but nice falsetto and that any guitarist should have in his repertoire; So do not hesitate to learn it, you can, […]

Falseta by Tangos Flamencos Explanation – Nº 2



This time we are going to explain three basic techniques of flamenco guitar for beginners in flamenco. So you can take your first steps on the flamenco guitar. We will see how to do the techniques of beating, alzapua and strumming of “ventilador” (fan). So do not hesitate to learn […]

Three Basic Techniques of Flamenco Guitar


On this occasion I will explain how to play a Flamenco Tangos Falseta, which I already climbed the channel months ago. It is a falseta composed by me and I explain it by your request. So do not hesitate to learn it and as we always say: Go for it!

Flamenco Tangos Falseta: Explanation




First edition of closures by soleares. This time we will see 3 closures of the compass of solea. These closures are used by almost all flamenco guitarists of all time. So do not hesitate to learn it. You can, you’re a guitarist! Go for it! TAB   VIDEO

Three closures by Soleares – Nº 1


Twelfth edition of falsetas by solea with tablature and metronome included. This time we will see another of the thumb exercises. It is a very typical falseta between old flamenco guitarists. You can also play this idea with arpeggios as we saw in falseta no 7. So do not hesitate […]

Spanish Flamenco Guitar Lesson: Solea Tab – Nº 12


Eleventh edition of falsas por solea with tablatura and metronome included. This time we will see one of the last arpeggio exercises with tablature and metronome. This type of soleares falseta is very typical among flamenco guitarists. So do not hesitate to learn it You can! You’re a guitarist! Go […]

Flamenco Guitar Lesson: Solea Tab – Nº 11



On this occasion we are going to make an accompaniment to the singing of the song by bulerías “I do not believe it” of Parrita, also sings Marina Heredia. The nut is in Fret 5. So do not hesitate to learn it. You are a guitar player! GET THE SONG […]

Bulerias Accompaniment: No me lo creo (song)



This time we will do the third accompaniment by “up” tangos for the song “Aunque es de noche” by Enrique Morente. The accompaniment of today is based on the tones of Taranta (F# Phrygian) and we will exploit the arpeggio technique among many others. The cadence Andalusian in this tone […]

Accompaniment Flamenco Tangos 3 “por arriba” – Aunque es de ...